Top 5 Beatles Songs From 1963

by Cara on May 8, 2010

in fun, Gratuitous Beatles Blogging

A black and white photo of the Beatles shot from mid-chest up, with their heads all pressed together side by side. From left to right, George diverts his eyes from the camera and smirks, Paul makes a surprised face, Ringo gives a small smile, and John grins broadly.

Today marks the beginning of a new series in Gratuitous Beatles Blogging! The Beatles managed to transform their sound and further hone their skills every single year they were together. It’s as common to refer to various Beatles phases by year as it is to refer to them by album. In this series, I’ll be counting down the 5 best Beatles songs from each of those short 7 years they recorded as a group, one year at a time. This week, we start at 1963.

1963 saw the release of the Beatles’ first album (and their second!), their rise to superstardom, and many, many complaints from concerned parents about their freakishly long hair (see the horror for yourself in the photograph above). Could their popularity possibly last? Most thought no, that they were surely just another teen fad, but only time would tell.

The Beatles’ 1963 repertoire was mostly made up of covers and simple pop songs, designed not to break barriers, but to get people dancing and buying records. That it was quite arguably their least fruitful year based on creative merit just goes to show how astounding they really were, and would go on to be.

1. I Want to Hold Your Hand

As I believe I’ve written before, I Want to Hold Your Hand is, quite simply, one of the greatest pop songs written ever, let alone by the Beatles in 1963. There was no good reason for Capitol to reject the Beatles’ first singles, but there certainly was good reason for this to be the one they finally accepted. The dual lead is nothing short of divine, and from the hand claps to the guitar/bass hook, from Ringo’s perfect light touch on the drums to the infectious verses, there are few Beatles morsels that are more sublime than this little single.

2. She Loves You

I Want to Hold Your Hand managed to bring the Fab Four to America, but before that, She Loves You took the Beatles from a very successful pop group to international superstars, and was largely responsible for sparking Beatlemania. And what a worthy song to hold that place in history! Raucous co-lead vocals from John and Paul, a guitar hook that is catchy as all get out, and stellar, simple, and perfect drumming from Ringo. Are there more insipid lyrics than “She loves you, yeah yeah yeah”? Likely not! But just try to not sing along. Oooooohhhh!

3. I Saw Her Standing There

There was no better song to open the Beatles’ first album than this. The count in sets the mood, the jangly guitar and frantic bass line (have fun with that one in Rock Band) makes you want to get up and dance, and the sly, suggestive vocals provide the icing on the cake. Oh, and the faces Paul makes while singing it are both adorable and hilarious. Macca wrote much better songs in later years, but this is still one of my favorites.

And yes, Paul, we do all know what you mean. You’re just lucky that you wrote the song at a young enough age to make it almost not creepy. (Almost.)

4. All My Loving

Paul’s classic song about missing your beloved is one of the Beatles’ best early efforts at an original song, and foreshadows the master songwriters that John and Paul would become. If this is Paul’s early work, what would he be capable of producing later on? George provides great backing harmonies, the tiny break between the verses and chorus hits you every time, and Paul’s closing vocals just soar. Presented here in mono, for your listening pleasure.

5. Please Please Me

The Beatles’ first number one in the UK, this song is lesser known in the U.S. And that’s a damn shame. Beginning life as a John-penned ballad inspired by Roy Orbison and going down in history as an up tempo pop rocker, is Please Please Me about oral sex, or more innocent relationship problems? I’ll let you argue that one amongst yourselves — noting that I’ve always leaned toward the latter, while admitting that John’s robust “come on”s may indeed suggest the former — but urge you to enjoy the glorious harmonies, brilliant drum fills, and master guitar hook as you do.

Bonus Track: This Boy

The too frequently forgotten B-side to I Want to Hold Your Hand contains one of my all-time favorite 3 part harmonies by the Beatles. And just try to wrap your head around the fact that this song, one that other groups would have killed to have the chance to release as a single, was relegated to a mere flip side. Even at this stage, it goes to show that the Beatles weren’t all shaking heads and upbeat guitars, and could write and perform a ballad like pros if they wanted to. I particularly love Paul’s part lilting harmony, and just check out John’s big moment in the middle. Thank god the original guitar solo didn’t work out.

Now it’s your turn! Are you particularly fond of Don’t Bother Me or There’s a Place? Is there someone out there who is not only not creeped out by Little Child, but actually enjoys it? Let’s get some friendly debate going in the comments. I’ll be back for the 1964 installment next week, and I imagine that the debates will only get progressively livelier as we count our way up to 1969!

Thanks to plitter for the idea for this Gratuitous Beatles Blogging series.

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{ 10 comments }

1 Paul May 8, 2010 at 10:21 am

What’s the story behind the creepiness of I Saw Her Standing There – I’ve not heard it before

2 Cara May 8, 2010 at 10:34 am

There is no real story. It’s just a a grown man singing “well she was just 17, you know what I mean” is, well … creepy. Since what he means is that she’s young, innocent, hot, and just freshly at the age of consent.

3 Songstress May 12, 2010 at 6:41 pm

These are fun and interesting posts with a different take on music we’ve all heard.
But, Cara, I would really like for you to do a piece on the Kiely Williams’ song, “Spectacular.” I have not seen any of the rape support sites say anything about it.
I know you might say we should be free to explore our sexuality fully without shame or constraints, but the message in this song seems to be renaming potential rape into something else. Something else not to be afraid of, but enjoyed and embraced and to go back for more.
I don’t know; maybe I’m overreacting and it’s a take on “if you like the guy, it’s okay and if you don’t, it’s rape” but it worries me.
There are so many issues it raises on all sides of the coin, I don’t know where to begin. Maybe I did…

4 Cara May 12, 2010 at 6:48 pm

Songstress, modern pop music isn’t really my thing. I haven’t actually heard the song, though I have read a couple of blog posts about it — and from the lyrics, I’d say that it’s definitely a song about rape, and very disturbing. I know that The Sexist wrote about it. Racialicious also had a post, though I remember being less wild about it, as it refused to unambiguously say that someone “having sex” with you while you’re “dozed off” is rape, but I also remember the commenters pushing back on that and having a good discussion.

5 Songstress May 12, 2010 at 7:16 pm

Sorry, I didn’t check SS either. She had a post on it 4/9.
Just seems this song, coming from a woman who is an absolute idol to a lot of girls and women, is saying potential rape is actually good rough sex if you liked it and don’t remember it so well. And, also, don’t use birth control. Just kinda hope he used a condom and, if not, oh well.
And Kiely’s response is telling us this is something girls should talk about more. Cause, you know, it’s our fault if we maybe kinda get sorta raped…or spectacular sex…they’re both the same.

Nice.

6 frau sally benz May 18, 2010 at 3:49 pm

I would rearrange this list just a bit:
1. I Want to Hold Your Hand
2. I Saw Her Standing There
3. She Loves You
4. Please Please Me
5. From Me to You

I actually love All My Loving, but I don’t know… for some reason it seems that From Me to You would fit better on the list. It’s not something I can really explain, though. I guess because more of my friends recognize From Me to You than All My Loving?

7 pop music May 27, 2010 at 10:16 am

Are theses songs from 1963?I cant believe this ! Music is excellent.

8 Bikram Dhiman June 13, 2010 at 12:18 am

~Don’t Bother Me
~Do You Want To Know A Secret
~There’s A Place
~Twist And Shout
~Love Me Do
~Anna(Go To Him)

9 mark June 20, 2010 at 11:20 am

Calling “I Saw Her Standing There” creepy is creepy. Making way way too much of those simple lyrics written by Paul when he was 20. I think some people have too much time on their hands. My God people get a grip.

10 Cara June 20, 2010 at 11:25 am

Yes, Mark, some people do have too much time on their hands. Like those who spend that time telling people they need to “get a grip” and stop making “way way too much” over something that was a joke.

Though, of course, even if I wasn’t half-joking, “it’s no big deal! You think too much!” isn’t an argument I take seriously, anyway.

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